Belle Haven Secrets ~ Potomac Artworks

10.02.2007

Belle Haven Secrets

Again as the only pastelist in a Sara Linda Poly class, I imparted my own style on the rest of the class. Pastels have been around for a long time, but there are so many misconceptions. It is fun to serve as an educator and advocate for this beautiful medium.

This is the right side of Belle Haven Marina, that which backs to the nature preserve. I found the solitude very tranquil as I tried to make the tangled mess of vegetation in the Potomac charming! (Now you know the secret.)

Pastel on Rust Colorfix, 8x11

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The Charm of en Plein Air

Much of my work is done en plein air, French for "in the open air." People often associate it with the Impressionists, but the move to paint outside preceded them by a number of decades. The trend to appreciate landscapes as a genre at all was new for the time.

Several characteristics contribute to the distinctive beauty of en plein air painting. They are generally smaller in size in order to be able to capture a scene in a single sitting. Because of the time limit and environmental factors such as the sun and shadows moving, they often lack extensive details and might appear slightly fuzzy or unfinished. Lastly, they tend to have a freshness and spontaneity which makes them impossible to compare to traditional and methodological studio work. That said, my own studio work tends toward the same feel as en plein air, which then identifies my overall style: softness with an edge.

My aim when painting en plein air is for alla prima paintings, which roughly translates for me as "what happens outside, stays outside." It adds another level of difficulty to the work.

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10.02.2007