It began as a loose watercolor underpainting on UArt 500 sanded paper.
And soft pastels fill in the rest of the story. In my evaluation, I see the McKinley influence prevalent in the soft trees pulled out of a mist, the broken line of the grass in the middle ground, the foreground foliage with an orange undertone, and the dots and dashes as details up front.
See No Evil, Hear No Evil, Speak No Evil
soft pastel on UArt 500