Musical Interlude: A Different Kind of Culture ~ Potomac Artworks

7.24.2009

Musical Interlude: A Different Kind of Culture

For the second year, my 11 year old son has participated in Vienna Summer Strings, a daily camp lasting almost four weeks which features a final performance for the six age groups participating. He's taken violin for two years in school as well, so this summer camp makes it so that there's at least one thing he doesn't forget each summer!

This short video clip is of the purple group playing Nightrider by Meyer.

He's near the middle here, just to the left, and has the beautiful, patina-darkened violin which belonged to his great grandmother.

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The Charm of en Plein Air

Much of my work is done en plein air, French for "in the open air." People often associate it with the Impressionists, but the move to paint outside preceded them by a number of decades. The trend to appreciate landscapes as a genre at all was new for the time.

Several characteristics contribute to the distinctive beauty of en plein air painting. They are generally smaller in size in order to be able to capture a scene in a single sitting. Because of the time limit and environmental factors such as the sun and shadows moving, they often lack extensive details and might appear slightly fuzzy or unfinished. Lastly, they tend to have a freshness and spontaneity which makes them impossible to compare to traditional and methodological studio work. That said, my own studio work tends toward the same feel as en plein air, which then identifies my overall style: softness with an edge.

My aim when painting en plein air is for alla prima paintings, which roughly translates for me as "what happens outside, stays outside." It adds another level of difficulty to the work.

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7.24.2009